|Hitswows||Дата: Суббота, 05.10.2013, 23:22 | Сообщение # 1|
"Battle of the Year" touches on how the other world gettings embraced b-boy culture, but just how they're not viewed as cutting edge or cool in the Usa.
That worries the Sean Combs-like impresario, Dante (Laz Alonso): "How lengthy before hip-hop isn't really cool down?".
He has to shield his fashion, dance and songs empire by putting American b-boys back ahead. He works with an aged dance buddy, W.B. (for "Wonder Bread"), now a grieving, alcoholic ex-basketball coach (Josh Holloway of "Lost"). W.B. needs to obtain himself up to quicken on the present state of dance, after that sponsor and coach a "all-star team" of the ideal of America's ideal to take on the other globe, which gettings passed America by and long dominated the yearly b-boy Olympics called "BOTY," the Battle of the Year.
That team consists of assorted egotistic, chip-on-their-shoulder showoffs, since that's what it requires to be successful. Actual star dancers such as Do Knock and Flipz are mixed with others, including singer Chris Brown.
And helping coach is Jewish hip-hop authority "Franklyn with a y," played by Josh Peck.
Benson Lee, director of the definitive docudrama on the worldwide phenomenon, "Planet B-Boy," co-wrote and directed this, and immodestly has personalities see that movie and sing its praises. Holloway could not also mean a real dance past, so the film fabricates that by having his coach operate his guys via drills (in split-screen sequences).
Peck, when of TELEVISION's "Drake & Josh," one-time celebrity of "The Wackness," has a little, sustaining task but is given leading invoicing. In this situation, that indicates his every scenario includes coiffed and extremely fabricated close-ups. It's laughable.
Yet tabloid beloved Brown additional compared to holds his own with this workers, obviously not also requiring a dance double. The dance settings-- specifically those entailing groups from Germany, France and Korea-- take the b-boy relocate to the next degree.
And there are lots of simple, undemanding laughs, the very best lines originating from Peck's assistant coach.
"You look like a gazelle around," he applauds his boss. "A gazelle with arthritis." Which, while it does not explain the film, does strike this genre right in the bull's eye. Yet then, the charm of "Step Up" and all its exhausted imitators is that the audience they're capturing for has no suggestion that there have actually been 20 or 30 motion pictures exactly similar to this one that came before it.
He has to safeguard his songs, fashion and dance empire by putting American b-boys back on top. He works with an old dance buddy, W.B. (for "Wonder Bread"), now a grieving, sprituous ex-basketball coach (Josh Holloway of "Lost"). W.B. has to get himself up to quicken on the present state of dance, after that sponsor and coach a "desire group" of the best of America's best to take on the remainder of the world, which has actually passed America by and long controlled the yearly b-boy Olympics known as "BOTY," the Battle of the Year.
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